What kind of strings should I buy for my electric guitar?

What strings to buy for a guitar?

Related Articles:

• How to buy a cheap beginner’s guitar
• How to buy kid’s guitar
• How to buy strings
• Recommended Music Stores and Shops in Portland Oregon: Where musicians in the know buy their instruments, get them repaired, and have them customized

 

String gauge

This is the “thickness” or diameter of the strings. Musicians refer to guitar strings by the gauge of the high E string. A “set of 10’s” is lighter (smaller in diameter) than “a set of 12’s.” String gauge varies widely. You need to consider your guitar’s scale length before you choose strings.

If you’re a geek, click here for more about scale length. Otherwise, it just basically means, length of the string, and you can read on.

Short scale guitars : easier to play. Use heavier strings for thicker tone.

  • Gibson
  • Epiphone
  • Gretsch
  • Fender Duosonic
  • Fender Jaguar, Mustang, etc
  • Gibson basses

Long scale guitars : harder to play. Use lighter strings.

  • Fender
  • G&L
  • Parker Fly 
  • most Fender basses

Strings and tone

  • Lighter strings = lighter tone (generally). Best for more finesse players.
  • Heavy strings = bolder tone/harder to play (usually). Better for heavy hitters.

Don’t know? Ask your luthier or guitar shop. A reputable shop will know. Click here for Portland Oregon shops I recommend.

Geeky details

One of my favorite sites, frets.com, explains it as such, here:

Scale Length
© Frank Ford, 2/9/01; Photos by FF


The “scale length” or “scale” is a tricky bit to define. Generally, it’s understood to be the vibrating string length, from nut to saddle, measured like this:

As far as I can tell, most luthiers measure from the nut to the center of the 12th fret and double that measurement for the “scale length.” The only thing is that it doesn’t seem to fit a lot of manufacturers’ stated specifications if you do it that way. I like to measure to the 12th, double that distance, and call that the scale length, just to be consistent. Then, adding compensation for various strings, I’ll call each of those lengths “compensated scale length.” That way, at least I don’t go crazy right off.

Now, just to drive us all nuts, some builders shorten the distance between the nut and first fret to improve intonation in low positions. That, of course, messes with our ability to measure the scale length on a given instrument.

Precise measurements are critical in building an instrument, but for the practical purposes of comparing instruments as to their tone and performance, approximate measure is just fine. I don’t think 1/8″ one way or the other will have much effect.

article link FRETS.COM

How do I know?

I was trained in these matters by Chris Brandt, owner of the 12th Fret Custom Guitar Shop in Portland, when I worked there for about 3 years. Not only are they a great bunch of guys, but they are very knowledgeable luthiers, and kind individuals as well. They do everything from string changes, to refrets, to steaming apart necks of old Martin guitars and doing who-knows-what in there. Saul Koll of Koll Guitars, also used to work there and Saul is an amazing luthier as well (and a fabulous electric guitar player). The 12th Fret is a little shop who does repairs for the likes of Robert Cray, and Saul builds guitars for Sonic Youth. I think I was taught by the best (or close to it).

Since I didn’t know the scale length of Parker Fly guitars, I googled it. I found out that the scale of the parker fly has a 25.5″ scale. This is a long scale.  So my student should use lighter strings. I have taught this particular student for quite a few years, and he’s more of a delicate technician than a heavy hitter. Light strings work best for players who are more finesse focused. Hard and heavy hitters, use heavy strings.

And before you complain that your guitar buzzes, stop hitting it so hard.

– Amanda

 

Recommended Music Stores & Repair Shops In Portland

There are a lot of great shops, here are the shops run by my good friends (they also happen to be the best). 🙂

Trade Up Music

oodles of great, cheap, mostly used gear, with some new – guitars, amps, basses, synthesizers, pedals, ukuleles, PA systems, drum parts, drum kits, melodicas, harmonicas… friendly service, right next door to Stumptown Coffee. >>website

Trade Up Music 4701 SE Division St., Portland, OR 97206  *503-236-8800* 11:00 am – 7:00 pm daily Google Map
Trade Up Music 1834 NE Alberta St., Portland, OR 97211 *503-335-8800* 11:00 am – 7:00 pm daily Google Map
 

12th Fret Custom Guitar Shop

nationally renowned lutherie and repairs of stringed instruments of all sorts, serving the general public and prominent artists since 1979… friendly service, wonderful people who really go the extra mile. >>website

12th Fret Custom Guitar Shop 2402 SE Belmont St., Portland, OR 97214 *503-231-1912* 11:00 am – 6:00 pm Tue-Fri and 12:00 pm – 5:00 pm Saturday Google Map
 

East Side Guitar Repair

Guitar repair, amplifier repair, custom instruments >>website

East Side Guitar Repair 3341 SE Hawthorne Blvd., Portland, OR 97214  *503-232-0838* 11:00 am – 6:00 pm daily Google Map
 

Portland Custom Shop and Sour Sound

Amplifier repair, synthesizer repair and synth restoration; PA system repair, Pro Audio repair facility   >>Custom Shop Website  ::   >>Sour Sound Website

Portland Custom Shop + Sour Sound 1115 SE Morrison St. Portland, OR 97214 *503.227.9260* 11:00 am – 7:00 pm Mon-Fri and 12:00 pm – 5:00 pm Sat-Sun Google Map
 
Related Articles:• How to buy an inexpensive guitar
• How to buy a child a beginning guitar
• How to buy strings

Portland Lessons: Ableton Live, beatmaking, programming electronic music

Let’s make some beats

I’ve been teaching the guitar in Portland for 11 years. Over time I became bored with the guitar, and focused on playing synthesizers, and using programs like Ableton Live and Reason for music performance and production.  After many requests from my students, I began to teach Ableton Live, beatmaking, and hip hop music production and performance. Being “classically trained” in rhythm gives you creative control over your own beats. Usually these classes begin with rhythm theory, then cover drum set theory, then we program beats on hardware drum machines before working with Ableton and Reason, and similar software.
Ableton Live instructor and Reason beatmaking and hip hop lessons in Portland Oregon
Ableton Live instructor and Reason beatmaking and hip hop lessons in Portland Oregon

For skype lessons on Ableton and electronic music (Pro Tools, Logic, and more) – click here

-Amanda

squirrel@whirlingsquirrel.com  503-577-2311